Review: Rex Mundi: Gate of God

The final volume of Arvid Nelson’s epic grail quest, Rex Mundi, is a huge improvement over the previous book, but still lacks the appeal of the first half of the series.  In an earlier review I called the series the Da Vinci Code done right.  The two works are really similar (of note, Rex Mundi started first), dealing with conspiracy theories involving the lineage of Christ and tons of research into Church history, although in the case of Rex Mundi this is taking place in an alternate history with a bit of magic.

And when the story focused on the alternate history it was fascinating, particularly France’s march to war in which they essentially recreate WWII (the villain here finally makes the jump to clearly being a stand-in for Hitler), and the magic worked best when it was used as a small background element where most people can’t do more than use it to light cigarettes.  However, the conclusion is the perfect opposite of what I liked about the series.  The conspiracies have been revealed, the war has been removed to the text back matter of each issue, and the conclusion is a full on battle between two rival wizards, complete with an army of Ray Harryhausen skeletons.

It’s a well done fight, and it’s not like I don’t enjoy that sort of thing, it’s just not what I was reading Rex Mundi for.  Although it is a great showcase for artist Juan Ferreyra who is much better at drawing this sort of thing than he was at the talking heads of the previous volumes.  So the big finale is pretty great, but it feels like its occurring in the wrong book.

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