Posted tagged ‘Garth Ennis’

Review: The Tankies

January 5, 2010

The Tankies is the third book in Garth Ennis’ latest line of war comics, Battlefields.  Sadly it’s also the weakest, being a pretty paint by numbers story by the author.  Take a group of soliders from the UK, insert some male bonding, stir in a few dubious generals, and cover liberally in extreme violence.  However, being Garth Ennis the story is very well told, but he’s done this before in better books (War Stories, Punisher: Born).

The one thing that elevates this book further is that it has Carlos Ezquerra on art.  It’s been a good while since these two have collaborated, which is a real shame as their styles compliment each other perfectly.  And Ennis gives his partner plenty of material to work from, creating a beautiful book.  But its not quite enough to elevate the purely average story.

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Review: Dear Billy

June 6, 2009

Garth Ennis is back!  Dear Billy, the second story from his Battlefields project is his best work in years.  Not that he’s been producing bad comics in the mean time, I don’t think he’s actually capable of that, but with the exception of some of his Punisher issues some of the magic has been missing.  

Which brings me to the epistolary tale of Carrie Sutton, a British nurse working in the Pacific theater during World War II.  When the story begins she is introduced as the lone survivor of an atrocity committed by the Japanese forces.  Over the course of three issues she finds love as well as the chance to get revenge on her tormentors.  

This is a surprisingly brutal story, possibly the bleakest book Ennis has ever produced, which is saying something.  And he is helped enormously by one of his semi-regular collaborators, Peter Snejbjerg’s whose style is a perfect match for the range this story requires.  He is able to capture quiet character moments and vivid scenes of war with equal skill making for a very nice looking book.

Review: The Night Witches

March 9, 2009

Garth Ennis has always been at his best when writing war comics, a genre he’s spent some time away from recently (with the exception of an occasional flashback in the Punisher).  Fortunately he’s returned with a major project, a series of mini-series entitled Battlefields.  In scope this is very similar to his two runs of War Stories that were published by Vertigo a few years back (The D-Day Dodgers from that ranks in my top ten for best single issues), and actually he’s using many of the same artists this time out.

The first of the Battlefields books is the Night Witches.  The story focuses on the Russian front in WWII where the German infantry is on a collision course with Russia’s newly formed female bomber squadron (who give the book it’s title).  Ennis does a decent job of showing both sides of the conflict, although the Germans only have a single sympathetic character.  It’s not his best work, but Ennis does not now how to tell a bad story and this one is no exception.

The art on this comes from Russ Braun, who I’m only familiar with as the back up artist on Jack of Fables.  He does a wonderful job here, reminding me a lot of Darrick Robertson’s work at times.  From what’s on display here he deserves to have a much higher profile.

So, all in all the Night Witches is a welcome return to form for Ennis and it’s definitely whetted my appetite for the next Battlefields series.

Keeping Current with Comics

August 30, 2008

Yesterday I tried to remove whatever collection development credentials people thought I had.  But I did say that the one area of particular expertise I might actually possess is in comics.  So I figured I’d take a shot and do a batch of brief write ups on current comics libraries should be aware of.

Secret Invasion: For the past decade at least the Summer has been the time for large scale comics events and crossovers.  Actually for the past few years the events have all kind of blended together to the extent that some fans are complaining of event overload.  Secret Invasion is Marvel’s entry this year, and it concerns an alien invasion of shape shifters who have been posing undetected as some of Marvel’s most well known characters (in some cases for quite some time).  The book has received decent reviews overall and I’ve been enjoying it, but there are accessibility issues for those who haven’t been following the last few years worth of Marvel stories.  In the end it will probably prove more significant for the effect it has on the Marvel line to come than for the story itself.

Final Crisis: Final Crisis is DC’s answer to Secret Invasion.  It’s being marketed as the day evil won.  The writer on this one is Grant Morrison, a personal favorite but someone who’s more eccentric writing tendencies don’t always lead to clearly told stories.  Final Crisis has also suffered from poor editorial control (the story did not match up with many of the details from the books that led into it, including the death of a major character).  Again I fear it’s going to become essential reading because of its effects (notably the return of the Silver-Age Flash, Barry Allen) and not because of its own merits.

Final Crisis: the Legion of Three Worlds: The Legion of Three Worlds is a pseudo-spin-off of Final Crisis (because the worlds Final Crisis are in the title), and so far it’s shaping up to be far superior to its parent book.  The story, crafted by the workhorse Geoff Johns and drawn by George Perez at the top of his game, is an attempt to redefine the Legion of Superheroes, one of DC’s best loved but most muddled books.  Early reviews have uniformly praised the book and it is becoming a series I am greatly looking forward to the ending of.

Green Lantern: Another Geoff Johns book.  Johns relaunched Green Lantern a number of years ago now, bringing back classic ring bearer Hal Jordan and focusing on crafting a true mythology for the character.  Having succeeded at his initial goals he has worked to steadily up the ante on the action in the story.  Last year he gave us the Sinestro Corps War, in which a Universe wide battle broke out involving most of the villains from the biggest events in DC history.  Since that time he’s been steadily building to The Blackest Night, a story which probably has more buzz going for it than anything in comics at the moment (including the 2 current events).  Keep an eye out for it.

Batman: RIP: In a similar bit of character redefinition, Grant Morrison has been steadily working on a deconstructionist take on Batman for awhile now.  His run has met with mixed reviews so far, albeit with a few standouts to date (the League of Heroes collaboration with J.H. Williams was one of my favorite comics last year).  But the culmination of his approach to the character is in the current story arch, in which Bruce Wayne suffers a massive psychological break and all of the events that led to the creation of the Batman are thoroughly reexamined.  It’s been a riveting story and it seems pretty certain that the Batman coming out of it will be different than the one that went in to it.

The Punisher: Garth Ennis has just wrapped up what has been by far the best take on the Punisher in the character’s history.  Make no mistakes this is an adult comic, in which the Punisher is portrayed as a near mythical force of nature.  It it grim, it is tightly plotted, the art is gorgeous, and it left me never wanting to read another Punisher comic because everything else can’t help but come across as a disappointment after this.

Buffy the Vampire Slayer: Season 8: Exactly what it sounds like.  Joss Whedon has reassembled a large portion of his writing staff from the classic show along with a number of comics writers with tv writing experience and has crafting a follow up season.  And it’s really good.  If you were a fan of the show or know someone who was make sure to pick up this book as it has lost none of what made the Buffy great to begin with.

The Umbrella Academy: Easily the most enjoyable comic last year.  My Chemical Romance’s front man Gerard Way has crafted an entirely original take on superhero comics (or is that dysfunctional family stories).  The art from Gabriel Ba is perfectly suited to the material (I don’t know of anyone else who could nail something like a robot zombie Gustave Eifle with such wild abandon).  The sequel launches next year.

Criminal: Criminal is a show case for Ed Brubaker and Sean Phillips to tell the sort of crime stories they love.  Besides the story each issue (which have consistently been the most well crafted comic of each month) the comics contain a wealth of interviews, reviews, and letter columns concerning the history of the crime genre.  The book is nearly as good as a reference resource as it is for the stories.

Collections: The last few years have been a great time for collected editions.  Bookstores and libraries have opened up to nicely bound editions and the major publishers have been doing a great job of dusting off their back catalogs.  A few archival projects are of particular note.  DC has been republishing some great hardcover editions of James Robinson’s Starman, Grant Morrison’s JLA, and everything Jack Kirby did for them in the 70’s (The Fourth World Omnibus’ have a place of honor on my bookshelves).  Some other recent highlight are Image’s collections of Mike Allred’s Madman, Oni’s new editions of Greg Rucka’s Queen and Country, and another personal favorite, Marvel’s recently released omnibus edition of Howard the Duck (which really is an essential read, albeit a pricey one).